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The Pied Piper
archival print of oil painting 6"x 15"

When the Sea Gull Restaurant Bar and Restaurant burnt to the ground in 1976, Mendocino lost a meeting place.There was an old master painting of the Pied Piper in the bar at the time. I used an old door as my stretcher for the canvas. I used paint pigments from the time when the real Pied Piper appeared in Germany in the 15th century. I recreated the burned up painting, remembering the composition with my friends. I painted local children of the families that were rebuilding the Sea Gull.

Unframed
Matted in white12" x 21"
$125..
signed & numbered

Unramed
Matted,
11" x 14" - $40..
unnumbered, signed

The Princess and the Pea

This was the first in the commissions David Jones had me paint for the Sea Gull Bar.

At the time I was sleepless as was most of the village worrying about money - the lack of it. The Winter of 1976 had gas shortages if you recall.

The safety of community life and the joy of good friends and humor made all the difference at the time.

I used the size of the Pied Piper's original door - 30" X 80" - this painting fit between the rafters in the ceiling right over the bar.

Marnie Stearns posed as the Princess.

Victor Biondo posed for the King.

Marilyn Soloman posed as the Queen.

I played the wizard.

The family portraits on both sides of my painting are bleary-eyed.

The story of the Princess and a Pea tells how regardless of how common or unrefined a person is they are sensitive enough to be loved.

Unframed
Matted in white12" x 21"
$125..
signed & numbered
At the Gallery

Unramed
Matted,
11" x 14" - $40..
unnumbered, signed
At the Gallery

Rapunzel

It took about three months after my first painting for Rapunzel to appear over the bar.

David Jones allowed me to choose the fairy tales that I would paint.

Becky Dobbs who was a day time bartender at the restaurant had lovely long braided hair. It reached the small of her back and she wore it braded to keep it free from her work. She had to be Rapunzel.

With Winter almost over you can see how Spring showed up in my painting.

Scott Deitz who posed for me as the young prince wanted to have the fifteen extra pounds he was packing along to be removed. I obliged.

The story is about a young girl who was caught stealing food and being imprisoned and most likely abused until rescued to live with a prince happily ever after.

Likely story or so I'm told.

Unframed
Matted in white12" x 21"
$125..
signed & numbered
At the Gallery

Unramed
Matted,
11" x 14" - $40..
unnumbered, signed
At the Gallery

Jack and The Bean Stalk

Bill Bradd was my giant.

Christopher Larsen was Jack.

Margo Farrer was the Mom.

Richard Albright was the Bean Salesman.

Summer was upon us, dances and parties were held in meadows.

We celebrated the 250th birthday of America that year. Life was the adventure. Peace had happened.

The painting appeared as a bright spot over the bar at what soon became Mendocino's living room.

Unframed
Matted in white12" x 21"
$125..
signed & numbered
At the Gallery

Unramed
Matted,
11" x 14" - $40..
unnumbered, signed
At the Gallery

Rumplestilskin

By Autumn that year I hadn't an idea what my next and the last painting in my commission to fill the spaces over the Sea Gull Bar would be.

Still, of all the fairy tales, Rumplestilskin was the most requested and suggested of the tales I should paint.

Lollie Jacobsen told me that the spinning wheel that turned straw into gold was still in use. I painted that here. The straw was really flax and gold was a weaver's metaphor for linen. It didn't shrink when it was washed and no bugs liked it - unlike cotton that shrank and wool which was moth food.

I got fired up realizing that this fairy tale was older than Egypt. Pre . . . nearly everything.

So, Mollie Montenegro who was a dear friend and very beautiful became the miller's daughter of the story.

I contrasted her with an ugly - smarmy and uckcy guy who I had to invent. My pal. seven year old Christopher Larsen, showed me how angry Rumplestilskin must have been to have not gotten what he wanted.

I picked the worst of bad hair days for what must be Rumplestilskin.

Later I heard that Doctor Robinson the village Doc thought I had painted his hair.

I didn't get a commission for painting Fairy Tales for the Sea Gull until they remodled it - for three more years.

Unframed
Matted in white12" x 21"
$125..
signed & numbered
At the Gallery

Unramed
Matted,
11" x 14" - $40..
unnumbered, signed
At the Gallery

Puss In Boots

This is my cat Clancy. I had stretched a canvas 18 feet long and 40 inches high. I painted ideas that would possibly be selections for other large paintings. Like here - Puss In Boots, Little Red Riding hood, Snow White fifteen years later, etc. I called the long canvas "The Summer Fabric".

Leda and The Swan

My studio was at Toad Hall. My cabin was there as well - we had a magical swimming pond there too.

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Painting, printmaking, sculpting, writing, I put all my experiences together to make clear my feelings/thoughts of being really alive. I have 22 etchings of my cats in heat and images of all the cats I have lived with as angels. I have greeting cards here at the gallery. My large (wall sized) oils and acrylics have appeared at Northcoast Gallery for the past four years, and I get experimental with mixed media using the computer. My archival prints of my South Pacific and New Zealand Journals are currently featured in the gallery.

James Maxwell's website

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