| Rumplestilskin
By Autumn that year I hadn't an idea what my next and the last painting in my commission to fill the spaces over the Sea Gull Bar would be.
Still, of all the fairy tales, Rumplestilskin was the most requested and suggested of the tales I should paint.
Lollie Jacobsen told me that the spinning wheel that turned straw into gold was still in use. I painted that here. The straw was really flax and gold was a weaver's metaphor for linen. It didn't shrink when it was washed and no bugs liked it - unlike cotton that shrank and wool which was moth food.
I got fired up realizing that this fairy tale was older than Egypt. Pre . . . nearly everything.
So, Mollie Montenegro who was a dear friend and very beautiful became the miller's daughter of the story.
I contrasted her with an ugly - smarmy and uckcy guy who I had to invent. My pal. seven year old Christopher Larsen, showed me how angry Rumplestilskin must have been to have not gotten what he wanted.
I picked the worst of bad hair days for what must be Rumplestilskin.
Later I heard that Doctor Robinson the village Doc thought I had painted his hair.
I didn't get a commission for painting Fairy Tales for the Sea Gull until they remodled it - for three more years.
Unframed
Matted in white12" x 21"
$125..
signed & numbered
At the Gallery
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Unramed
Matted,
11" x 14" - $40..
unnumbered, signed
At the Gallery
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